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guitarinternational.com - 10/21/2009

McCoy Tyner Interview: Guitars

— guitarinternational.com — The year 1960 found two of jazz’s rising stars in a moment of flux. After finding world-wide... recognition for his contribution to the classic Miles Davis quintets of the late 1950s, and experimenting with different lineups for his own group, saxophonist John Coltrane was in search of a new quartet to (more) McCoy Tyner Interview: Guitars

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mccoytyner.com - 10/21/2009

McCoy Tyner

— mccoytyner.com — NEW ALBUM "GUITARS" A studio throw-down with five of the most accomplished string specialists: Derek Trucks, Bela... Fleck, Bill Frisell, John Scofield, Marc Ribot, with Tyner's trio mates, Ron Carter and Jack DeJohnette. A DVD included documenting the ... (more) McCoy Tyner

Derek Trucks

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guitarplayerdaily.blogspot.com - 10/21/2009

McCoy Tyner Interview: Guitars

— guitarplayerdaily.blogspot.com — Matt Warnock: Historically, you have not recorded with guitarists as part of your ensemble. Why did your... latest release, Guitars , feel like the right time to bring that instrument into your compositions and ensemble? McCoy Tyner: Well, it was an idea that I discussed with the producer of the ... (more) McCoy Tyner Interview: Guitars

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McCoy Tyner Interview
Guitar International Magazine — by Dr. Matthew Warnock The year 1960 found two of jazz’s rising stars in a moment of flux. After finding world-wide recognition for his contribution to the classic Miles Davis quintets of the late 1950s, and experimenting with different lineups for his own group, saxophonist John Coltrane was in search of a new quartet to help propel his music into a new and ground-breaking direction. At the same time, pianist McCoy Tyner, then a member of Benny Golson and Art Farmer’s famous Jazztet, was also looking for a new group of musicians to help him explore the post Kind of Blue music that was drawing his attention as a composer and improviser. When these two jazz giants ...

McCoy Tyner Interview
The Modern Guitarist — by Dr. Matthew Warnock The year 1960 found two of jazz’s rising stars in a moment of flux. After finding world-wide recognition for his contribution to the classic Miles Davis quintets of the late 1950s, and experimenting with different lineups for his own group, saxophonist John Coltrane was in search of a new quartet to help propel his music into a new and ground-breaking direction. At the same time, pianist McCoy Tyner, then a member of Benny Golson and Art Farmer’s famous Jazztet, was also looking for a new group of musicians to help him explore the post Kind of Blue music that was drawing his attention as a composer and improviser. When these two jazz giants ...